Feb 132012
 
who is paul mccartney tweets

He's the walrus, and he's still missing, apparently.

The weirdest thing happened when Google came in: Cultural literacy went out. When I was 19, the Web was in its infancy, but I daresay my knowledge of my culture was much broader and deeper than nearly any 19-year-old I know today. Last night on the Grammys, when Paul McCartney took the stage, legions of incurious young people took to Twitter to wonder aloud who he was. Universally, they had the same self-defense.

“That happened before I was born.”

As if that’s an excuse. The Beatles were before my time, too, but I still know about them. In fact, there are a lot of things that happened before my time that I still know about, including but not limited to the Civil War, Warren G. Harding, the World’s Columbian Exposition, and the Stage Door Canteen.

Lest this come across as a Get Off My Lawn rant, I think there may be a cultural reason for the self-enforced stupidity we’re seeing in American youth, and moreover, for a stubborn failure to perceive that mouth-breathing ignorance as a failing. When I was a kid, we had three network channels, plus a few random channels in the double digits where you would find grainy re-runs of The Brady Bunch, The Monkees, and I Love Lucy. When your cultural outlets are that distilled, everyone tends to be exposed to the same stuff.

Today, kids have 600 channels. None of them are on the same page (not even the same Web page). It’s hard to blame them if they don’t know what to consider relevant. They have only word of mouth to prompt them.

But it’s easy to blame them for wearing their ignorance like a badge. I forgive them for not knowing, but I can’t understand why not knowing doesn’t upset them, or at least pique their curiosity. This generation has Google and Wikipedia, yet it’s the least inclined of all to actually use them. We have created for ourselves tools beyond our ancestors’ abilities to imagine, tools with the potential of transforming and enlightening mankind forevermore, and yet we utterly lack the agency to activate them.

If you don’t know something, Google it. A decade ago, even that advice seemed like a short cut. Today, people aren’t even bothering to do it at all.

It’s as if knowing the information could be at our fingertips is enough, and actually accessing that information is a formality we need not engage.

There are kids who use these to sponge up understanding of the world into which they were born. But too many of them merely crowdsource remedies to their ignorance, ensuring that the most enduring aspects of our culture are those few topline facts we all agree on. American culture is becoming no richer than the 200-odd standard songs on a Clear Channel rotational playlist.  I suppose this is the same shallowness that Hollywood depends on to pump out remake after sequel, with nothing original to inspire future generations of recyclers.

There’s a dissertation to be written about this phenomenon, no doubt: the fantasy that owning an encyclopedia automatically makes you smart. The queasy realization that the upcoming generation measures the worth of something based on whether they overheard someone talking about it or saw it reposted somewhere.

I want to say: Paul McCartney was a Beatle. Spelled that way. They broke up before you were born. They broke up before I was born, too, but I still know all about them.

They were important, but it’s also true they were not nearly as important as many other things you will never know about because you will not be accidentally exposed them on the Grammys.

And because you do not care about reaching for anything that is not placed in front of your face, you are doomed to live small. You are the perfect consumer.


 

Feb 092012
 

Jason Cochran: The Ward of Cheap in London

My recent post on San Francisco touring pitfalls was such a success that it’s not too early for another winning budget travel video. This one is about London, and how to see it without spending more than $15 a day. I have passed more time in London than in any city other than my home, and I have written about it quite a lot, too.

Between you and me (don’t tell anyone), my guidebook to London, is probably the best one I’ve written. I was in the zone. That’s the same book that was award best guide of the year by the Society of American Travel Writers’ Lowell Thomas Awards. I took some of the ripest fruit from that guide and turned it into a video.

You should have seen me racing around London in a single day to shoot all this footage with my little camera (for a site that’s now defunct). It’s easier said than done since there I was on my own and there was a lot of running around to be done. And I shot this on the same day as a video about what the U.K. Post Office can teach America’s and one about the successful Barclays free bike loaner system, also known as Boris’s Bikes. I was mildly moist, enjoyed nothing of the sights, and I might have chosen my wardrobe better. Then I hustled off to Southampton to do another video about the naming of the new Cunard Queen Elizabeth ship.

Let no one say travel writing is like a vacation. You have to get the goods, and the goods have got to be good.

Yeah. I know. Uptown complaints.

But this is good. There are actually some incredibly useful tips in here for saving cash there once you arrive — without missing out on what makes London London. I’m proud of this, as I am my book:

Once you’ve laid out a million dollars for airfare and hotel (although my book has some terrific secret hotels), these tips will save you save you dosh.

Fun fact: The opening and closing shots were lip-synched because the original audio was too messy. You probably wouldn’t have noticed if I hadn’t told you, but I now know what Ryan Gosling and Ryan Reynolds go through in their ADR sessions.

Feb 072012
 

While I’m working on other projects, I’m presenting some great trunk songs. Today, I present a segment (with some really handsome shots by Matt Crum) about all the ways to make San Francisco, which is already a good-value city for vacations, into an even better value.

One of my books is a guide to San Francisco, which is still for sale. It may be the most plainspoken guide to San Francisco ever written. I actually tell people all the things that  are not as exciting as they’re cracked up to be. On The Haight: “You’re more likely to meet slumming rich kids from the suburbs who have discreetly parked their Beemers a few blocks away than you are to meet any actual hippies.” And I proclaim the vagrant-plagued Tenderloin “a national shame.” Oops.

I think it’s true. But as it turns out, people don’t always want the unvarnished truth in their guide books. They want more cheerleading.

Framed this way, though, in a helpful how-to video, navigating the mistakes of San Francisco becomes much more appealing. Another reason I have branched into camera work.

This was made for a website that is now defunct, where it ran in a much shorter version.

Feb 032012
 

Just a happy, pleasing video designed to bring you the feeling of being somewhere, without quick cuts or commentary: Like I did for my drive through South Dakota’s Badlands, I shot a ride on the Angels Flight railway in downtown Los Angeles.

Most people don’t know that downtown Los Angeles is steep in places, and this funicular was constructed in 1901 to haul locals up Bunker Hill, which is now the heart of the city but then had some pretty mansions. It’s only 298 feet long (although its historic plaque, installed before the railway was moved slightly south, gives the old length of 315 feet—and adds an apostrophe for “Angel’s”). That it managed to survive at all is a miracle, but the ride has been bumpy. It started as transportation in a residential district, as did Pittsburgh’s Monongahela and Duquesne inclines, which are also still in operation.

It was later engulfed in stone skyscrapers, followed by dismantling, storage, a move slightly south, and a period of benign neglect that climaxed when one of the trolley cars disregarded its brakes, hurtled downhill, and crushed someone. This video was shot 15 days after it re-opened following a nine-year closure and refit. The locals were curious and not a little bit nervous.

Downtown L.A. is actually one of my favorite places. It’s bizarre to me that an entire city, one that is about the size of Chicago’s Loop, would be pretty much abandoned, as L.A. was in the 1940s. The whites went west and left it to the incoming Mexicans. What remains is a fascinating mix of the untouched and the decimated. Part of the city is a stately example of incredible American wealth in the years between the San Francisco Quake and World War II. And part of the city is parking lots. Downtown Los Angeles lost the thread of what its personality was. Angelenos are figuring it out.

Citizens of Beverly Hills, perhaps regretting the white flight that abandoned the Angels Flight, installed this plaque in its old location. They wrongly made its name possessive, too.

Feb 032012
 

See the recent graduates huff and puff at the grindstone so that Google is swarmed with the domain they serve

The Twitterverse loves congratulating itself over the speed and reach of its favorite toy, but it leaves out one important fact: There’s a lot more bad journalism now than there was before the social media revolution.

While social media has the power to spread snippets of potentially useful information far and wide, many of the updates link to some truly awful reportage. That is, if people click on the link at all. Analyst Dan Zarrella found that tweeted links have a less-than-10% click-through rate, meaning fewer than one in ten people bothers to absorb more than a headline. The number of people who bother to read more than a sentence or two on Facebook is similar.

With numbers like this, it’s hard not to begin to see poorly executed social media as gossip, refined.

Because much of the time we only see information 140 characters at a time, we don’t realize how wobbly are the underpinnings of the headlines. Even on the relatively rare instances when we click through on a link we read, we’ve become so habituated to scanty details that we some of us have never grown up with the ability to discern a professionally researched, ethically sourced story and something slapped together to harvest a click.

The bulk of our news is now bulk news. These are the post mills.

Corporations have laid off their full-time reporters by the thousands. They devote no resources to deep investigation, or if they do, it’s only to a few figurehead hires. Rarely did someone who works at the site you’re reading actually pick up a phone to validate the story it is recycling. Instead, you will notice, it passes the buck and links to where it found it. And thus, Web rumors circulate daily. A significant chunk of the New Media machine disseminates squibs and filler in a mandate to crank out topical information, harvest clicks while the getting is good, and move on.

These sites require writers to pump out five or more posts a day — not enough time to properly research, and not enough time to even leave their desks to sift through government files, attend press conferences, or cultivate contacts.

I won’t name names. I don’t need to. Here are 10 warning signs that your site may be a post mill that trades in glorified gossip.

A post mill:

– Links to original reporting another site did. Usually the writer places not so much as a single phone call to get a response or to fact-check. They might quickly consult a website. With post mills, you’ll often find yourself clicking backward from site to site, Escher-like, before you can finally locate the one that reported the story to begin with. Let’s hope it did it properly, because it can be hard to find the beginning of the research trail.

– Doesn’t pay its writers, or it only pays a few of them. If it does pay them a living wage, it may make a show of it to ward of a reputation as a post mill. Some of the aspects of the post mill, such as relentless working conditions for the young people hired to staff them, are not evident on the home page.

– Has high writer turnover. This is sometimes a sign that websites pay (if they do) according to how many views their posts attract. Given the post mill’s onerous daily quota, writers burn out faster. Commission systems also create an incentive to dangle scandalous or scary posts that are designed to stir reader fears or outrage, which in turn has them reposting them in alarm, delivering the post mill the clicks it craves.

– Often covers press releases. These can be collected and processed with a minimum of effort. Readers won’t often recognize the story as a press release rehash, but if a bunch of sites post the same story on the same day with the same details, it’s usually because a miller turned PR puff into news. Or they “aggregated” it from another site. Either way, the emperor has no clothes.

– Front-loads hot, SEO-friendly words in the headline and early grafs. During the writing process, the editors probably consulted Google Keywords to tip potential clicks in their favor, or its editors know what works. This isn’t necessarily a bad practice. Newspapermen do something similar all the time with their headlines, of course, but sexy headlines that attract clicks are a primary M.O. of a post mill.

– Gravitates toward crime and weirdness. Controversy and weird videos are a sure sign a post mill is click-baiting. I see several of the major “travel” sites trafficking mostly in airplane mishaps and airport infractions, posting very little industry and destination expertise at all. Highlighting controversy because people click on it does nothing good for public discourse, and in fact, it often gives power to idiotic arguments that don’t merit endless debate in a society with plenty of real problems to confront.

– Frequently wanders off topic. A post mill often has a lax editorial directive that enables what I call search trapping, which is posting anything, often with not even tangential connection to the theme of the site, to cash in on the hot subject of the moment.

– Often keeps posts really short. The less reporting, the shorter the writing time, the quicker a mill can search trap. If you finish reading a post and you have some basic questions unanswered, if there were no quotes that aren’t attributed to some other publication, or if you have to click from that brief story to someone else’s website to get the full details, you might be reading a post mill.

– Publishes top 10 lists with no methodology. If you’re not finding new stories, you have to rehash old ones, and if you list 10 subjective things, you have 10 chances to pop up in Google searches. They’re also highly shareable because readers are now used to the unchallenging buzz of the meme. They’re not all bad, and I have written quite a few of these myself for reputable publishers such as the BBC and Travel + Leisure; you can recognize the milly ones for their utter lack of factual meat.

– Has lots of sister sites. This is a sign that a publisher is trying to corner a bunch of topics at once, and a business with a split focus like that is more likely to be financially, and not journalistically, obsessed. Not a sure sign, but like everything on my list, it could be a flag.

Don’t get me wrong. Not all post mills are bad. Some do a very good job of aggregating news that would otherwise escape wider notice. There’s also nothing wrong with using tools to get more clicks. There is something wrong, though, when there is precious little expertise, reporter access, or eyewitness validation supporting the content.

Post mills can undermine the Fourth Estate, allow marketing and PR departments to manipulate our media as their mouthpiece, and leave the watchdogs sleeping. An entire generation of people is growing up without an understanding that the people who bring them their news have hastily recycled it, without checking how it got to them. Even the esteemed news outlets devote minutes and column inches to recycling what Joe Blow said about a topic on Facebook or Twitter. Gossip and news are becoming indistinguishable.

We have developed a news system in which everyone assumes that someone else is doing the heavy lifting. Somewhere, we think, there’s a group of people who vetted and researched what we read. In actuality, a lot of it just came off the grindstone.

Jan 262012
 
Alec Baldwin as American Airlines pilot on Saturday Night Live

Airfares were in disguise before today, but we can spot bad behavior

It’s a welcome development. As of today, travel vendors are required by the Department of Transportation to include taxes and fuel surcharges right up front when the price of the ticket is quoted. No more will shoppers experience that painful price jump when they click through the final purchase screen. All unavoidable expenses are incorporated from the start.

This change finally makes base price the same as cost. It also makes purchasing travel sensible, like purchasing stuff in Europe: The amount on the price tag is what you pay.

It has always been one of the cornerstones of American hucksterism. Businesses love separating the price from the true cost because it makes a sale more appealing. Never mind the fact it’s a lie. Everyone pays the full cost, not only the base price.

So of course some of the big vendors have been responding to the change to “teaser fares” with some weasel-like email messages. Don’t they know that travelers are thrilled? Why apologize?

Air-hotel packager Go-Today.com explains it this way: “Consumers should be aware that fares have not increased; they simply reflect a difference in how pricing is displayed.” That’s the bottom line, and it’s true. But other companies are editorializing, and that’s where they step in it.

Sleazy Spirit Airlines has made a business out of making the cost of airfare seem lower than it truly is. It has had its wrist slapped by the DOT already for deceptive advertising. (I hope the DOT scrubbed thoroughly afterward.) Unsurprisingly, the airline, which builds out the true costs of travel by charging even for carry-ons, tried to spin the new rule as an erosion of American justice, saying it is being forced “to hide” taxes in your ticket quotes now.

Spirit’s fear-mongering email is typical of the false victimhood that hucksters hide behind these days:

New government regulations require us to HIDE taxes in your fares.

This is not consumer-friendly or in your best interest. It’s wrong and you shouldn’t stand for it.

Starting January 24, 2012, fares are distorted.

Why?
Thanks to the U.S. Department of Transportation’s latest fare rules, Spirit must now HIDE the government’s taxes and fees in your fares.

If the government can hide taxes in your airfares, then they [sic] can carry out their [sic] hidden agenda and quietly increase their [sic] taxes. (Yes, such talks are already underway.)

“They can carry out their hidden agenda”? I’d put on my tinfoil hat, but Spirit would charge me extra to carry it on. You’d think the Boston Tea Party took place on an Airbus. It’s not fooling customers who know the issue is not about taxation but about advertising deceptive prices, a charge that it paid a fine for.

Spirit alleges a federal conspiracy because it can’t pretend airfares cost $9 anymore. California’s Sen. Barbara Boxer is having the company for lunch, and rightfully so. It’s detestable and disingenuous to manipulate customers into believing that their liberties are eroding when the only thing eroding is Spirit’s ability to deceive them with impunity. Since it has built its business model on the old bait-and-switch, of course it’s mad. It also has to pretend that the way it’s been misleading you all this time has been just.

Booking Buddy sent me this [emphasis mine]:

BookingBuddy Traveler,

Starting today, January 26, 2012, the Department of Transportation is requiring airlines and online travel agencies to include all mandatory taxes and fees when advertising fares. This is a big win for travelers.

We wanted to alert you to this as it will make flights and vacation packages appear more expensive than you may be used to. In reality, you are simply seeing more of the taxes and fees up front. Base prices themselves are not increasing, and the taxes and fees are the same…

The way Booking Buddy breaks the news makes me wonder: Well, if it’s so great for travelers, then why weren’t all the vendors doing it before today?

Is it because up until today, they didn’t care much about what would be great for travelers?

I give credit to the few third-party booking sites that were adding in mandatory fees to begin with, including Kayak and TripAdvisor. Add those guys to the top of your browser bookmarks because they were being frank with you anyway.

They didn’t need partial or incremental disclosure to make sales more attractive — and didn’t require the wrath of the government to quote costs fully.

Jan 102012
 
The Genius of Electricity, Edison Labs, West Orange, NJ

Pride in new technology always seems laughably callow later: Thomas Edison bought the "Genius of Electricity" sculpture at the Paris Exposition of 1889 (West Orange, NJ)

Facebook’s ever-changing look, including Timeline, could be called a triumph of simplification, which is to say a train wreck for easy choices. Love it or hate it — and I, for the record, find it a turn-off — we can’t shake the feeling that things are changing rapidly and to such an arcane degree that it’s a waste of time to figure out how to harness it. Here’s some news: Facebook is applying filters across every aspect of its interface for a very good reason

Facebook’s CFO and public relations tap-dancers tell you it’s about giving you personal choice. But that’s not the most important side of the story. No, Facebook is changing mostly because it sells ads when it railroads you into a new system that limits and labels your usage.

Most of the major sites we use now purport to be able to “customize” what they show you based on what you’ve looked at before. But this worrying fascination with personalized content is built on some logical lapses about who we are and what our behavior really exposes about ourselves.

I’ll be quick since I know you have headlines to barely gloss on Twitter, but there are seven essential fallacies that the whippersnappers at Facebook thinks are true — but aren’t.

1. If you don’t click on a link, you’re not interested.

I can tell this just from my own web stats on this site. While my post about a cool interactive 1924 aerial map of Manhattan had lots of traffic, relatively few people took things further and clicked on the actual source map at NYC.gov. Simply learning about the map was enough for most people. That’s the way it is with links. We read the headlines and we read the lead paragraph. Much like the inverted pyramid of newspaper tradition, we can glean the basics from the leading edge of a story without having to read further. So a click is not representative of interest, but only of a certain kind of interest. Sometimes, it’s merely an indication the headline was confusing and we needed to understand what was going on. Yet Facebook, Google, and most trendy Web media outlets use a click as their measure of us (as I wrote about in my “The Tyranny of the Click” post). It’s a fallacy.

2. You primarily want to hear from the same group of people.

So if we agree that a click doesn’t equate with whether I care or who I am, it stands to reason that my lesser-known acquaintances and friends are of interest to me even if I don’t alway interact with them. That’s why I friended them to begin with. In fact, often I use Facebook to keep tabs on people I don’t know very well yet, but would like to. If there’s one thing Facebook is good for, it’s what I call passive affection. (“Facebook’s Gift to Society: Passive Affection” is a favorite post on this blog.) Yet Facebook’s algorithms decide who is important in your life based on your interactions, and they hide all others until you happen to notice they’re missing.

3. You only want to know about things you already like.

In the old days, you’d thumb through a newspaper and even if you didn’t bother to read the articles, you at least were exposed to the headlines so you had a sense for what was going on in the world. Not anymore. Even Google’s search, which we all think of as a raw resource, delivers different results from person to person, which was exposed in Eli Pariser’s depressingly prescient TED talk about “filter bubbles.” Now, two people entering the same simple term in Google will be shown two different results page based on their past usage. This self-selection for the familiar threatens to make us all shallower and more ignorant. I despaired over this same development in “It’s Content You Want to See!“.

4. You want your activities to be turned into ads.

Of course, the reason all of this is happening is Facebook and Google want to be able to tell advertisers what you’re clicking on so they can make more money off you. That’s why they’re doing everything they can to exclude stuff they don’t think you will click on. The need for newspaper advertising was gutted once our consumer economy discovered instant Web search (I wrote about that in “How the Web Destroyed our Economy“), and now advertisers are successfully horning in where they know they’ll find us: on social media. It’s a well-worn argument that most people would rather preserve their privacy than have their activities sold piecemeal. Even setting aside privacy concerns as a matter of transition into a new digital age, the tactic of commodifying our clicks is logically flawed. Because what I click on is not necessarily representative of what I like (see Point #1), most of the time the targeted ads I’m shown are insultingly off-target anyway. I often click on things I have no knowledge about, naturally, because I want to learn about them, so it makes little sense to use that click to market to me later. It’s bad enough that I can’t find what I want in the stores anymore because the modern customer service default is, “Go look online.” Now even my own online life is being used to crowd out the things I do want to see in favor of ads for things I don’t want.

5. You care mostly about today.

This is one good thing about Facebook’s Timeline, which I otherwise hate: It allows you to go back so that stuff you said can be found. Lots of people despise this very fact about it, and it still only gives you the illusion of preservation, since none of it will ever be written down in a certifiably preserved form that isn’t subject to accidental deletion (my concern in “You Are Being Erased“). But Twitter, unlike Timeline, is intentionally temporary. It’s nearly impossible to track down a tweet once it’s a few days old, and even the most powerful programs can’t dredge up a tweet from several years ago unless an outside entity happened to archive it at the time. The result is that we are relentlessly tossing important thoughts on the discard pile simply because the design of our sites knocks them downward, off the table and out of sight. For social media to truly reflect us as humans, it must learn to be about all of us, the before and the after, and not just hook into our prurient interests.

6. Algorithms can predict intangible things about you.

Dating sites boast that their mathematical formulas can pair you with the perfect mate based on questions you have answered. But there is far more that goes into attraction. The echoes of your grade school sweetheart, the reverberation of your upbringing, the whiff of pheromones, the pang of past traumas… none of these can be quantified by a whiz kid programmer. We can’t even predict them ourselves; it’s metaphysical chemistry. We are amalgamations of our experiences. We also, it bears noting, tend to feel “on the spot” when we answer these questionnaires, and we respond with an idealized version of ourselves in mind. So because the questions miss the mark, and because they can’t be answered with the honesty and nuance required anyway, they’re extremely rough. That’s one reason it was so offensive when OKCupid sent me an email saying that from now on, it would show me fewer “ugly” people. How does it know what I find attractive? What we find seductive in others’ faces has many mysterious origins.

7. You love customizing sites.

I’m busy. So are you. I don’t have the energy or the inclination to comb through my Facebook Timeline and select cover images, prune bygone updates and photos, and set subscriptions and visibility levels for all of my friends. After all, the last two, three, and four times I went through the trouble of setting everything the way I liked it, Facebook changed everything overnight, neglected to write instructions, and buried the alert in its privacy notice. Now, nearly every site you use on a regular basis thinks nothing of radically altering its user interface, proclaiming the upheaval an improvement, and then assuming you have the will to think of every possible new privacy violation, cut off every new loophole, and search out every available preference. The people who code these sites assume you will be excited about customizing your usage because they live in a world where computer geeks are overly rewarded, so they assume you are not only tolerant of their endless retroactive patching of blatant weaknesses, but that you admire them for the changes. Your time is their toy.

Such is our era’s technological arrogance. Such are these smug, benighted programmers.

 

 

Jan 052012
 

It’s politics season, so people are throwing around the word capitalism (usually as an inoculation against the scary socialism) as if they are invoking the name of a personal deity. So what is capitalism in America today? In my parents’ generation, it meant starting your own business, working hard, and making enough money — sometimes lots. In capitalism, private ownership wins out and thrives.

That was when affordable supply chains and bank loans weren’t shutting almost all of us out. Capitalism once was private and gave us all plenty, but now that the infrastructure is in place, most of us find our labors flowing to others. Just look at your own life if you doubt me.

To us, modern ‘capitalism’ usually means taking a wage from a business that isn’t loyal to you, buying your food from corporations, voting for corporate-sponsored politicians, watching corporate-backed news, buying corporate products from mostly corporate brand stores, and filing the rest of the time with corporate-made entertainment. There is precious little ‘capitalism’ left.

Now, if you’ve got a success story to tell, you’re considered one of the lucky ones who escaped the cycle, and everyone’s envious. It takes a unique person these days to smash through the barriers. The common man, the Moms and Pops among us, rarely can. That’s not a viable system. That’s a lottery.

The few people who are rich enough or creditworthy enough to start their own businesses are squashed by the international and legislative advantage that massive businesses hold.

Too many people seem to think hard work is the same thing as ‘capitalism.’ In truth, almost all of us work hard to put the fruit of our labor in an investor’s pocket. Although most of us are very hard workers, few of us are really ‘capitalists’ the way we think we are, and fewer of us still can afford to be. We confuse toil with capitalism.

Why can’t Americans see their lives for what they really have become?

Starbucks facade Chicago

You don't have to dislike capitalism to notice how our wages flow. (Chicago, 2010)

Jan 012012
 

This video of Badlands National Park in South Dakota is seductive. It’s a nearly four-minute, uninterrupted shot of the driver’s view as he travels east on Badlands Loop Road (240) as it prepares to intersect with 377 near Interior, South Dakota.

Turn up the music and go full-screen and it’s almost like being there. The sunlight is perfect. The colors of the stone and the sky are rich and true.

I should know. I shot it. And it’s a high-def video, so it took me about six hours to upload onto YouTube.

If you want to try this drive at home, here’s where it begins on Google Maps. Then head east.

 

I love shooting these on-the-fly, you-are-there snippets when I travel. Click here to see one I shot in Tokyo that has more than 1,000,000 views on YouTube now.

Dec 312011
 

I’ve been road tripping a lot this year to research a big project I’m writing. When I got home from one of the most recent trips, I plugged in my digital camera to download my pictures and it stared at me blankly and said, “Pictures? What pictures?”

PhotoRescue took care of most of the problems, still, some of my images turned up corrupted. But my camera is an artist. It didn’t turn my images to snow. It inserted wry counterpoint and beautiful geometric juxtapositions. It found brilliant ways to immaculately bend my own visual commentary. These are true works of art.

Jackson Pollack did not credit gravity as a collaborator of his splatter paintings. So I also claim my camera’s binary hiccups as the fruit of my initial inspiration.

I shot these in lush, panoramic 16:9. So the vertical ones require a little scrolling to admire the full glory.

 

Arlington Station, VA

Arlington Station, VA

The Mountain of Despair, Martin Luther King, Jr., Memorial, Washington, DC

The Mountain of Despair, Martin Luther King, Jr., Memorial, Washington, DC

Cherokee, NC

Cherokee, NC

Central Tennessee

Central Tennessee

Martin Luther King, Jr., gravesite, Atlanta, GA

Martin Luther King, Jr., gravesite, Atlanta, GA

Springfield, TN

Springfield, TN

Near Nashville, TN

Near Nashville, TN

Cedar Hill, TN

Cedar Hill, TN

Biltmore Estate, Asheville, NC

Biltmore Estate, Asheville, NC

Russellville, KY

Russellville, KY

Cherokee, NC

Cherokee, NC

Cherokee, NC

Cherokee, NC

Cherokee, NC

Cherokee, NC

Carl Sandburg Home, Flat Rock, NC

Carl Sandburg Home, Flat Rock, NC

Adams, TN

Adams, TN

Arlington Station, VAThe Mountain of Despair, Martin Luther King, Jr., Memorial, Washington, DCCherokee, NCCentral TennesseeMartin Luther King, Jr., gravesite, Atlanta, GASpringfield, TNNear Nashville, TNCedar Hill, TNBiltmore Estate, Asheville, NCRussellville, KYCherokee, NCCherokee, NCCherokee, NCCarl Sandburg Home, Flat Rock, NCAdams, TN